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SUPPORT FRESH KILLS

AWARD CAMPAIGN

Hello,  I am Jennifer Esposito and I’m asking for your help.

I’m the writer, director, producer, actor, and the largest investor of the film, Fresh Kills. Yes, I mortgaged my home to make this film and I’d do it again. Not because I have money to spare- quite the opposite. That’s how deeply I believe in the freedom of art!  As I stated in the video, indie films, true indie films, not backed by big producers and distribution companies,  get swallowed up.

Why, you ask?

Well, it's not because they're not as good, it's because the money for marketing isn’t behind them. This is the case with so many wonderful films you are not seeing. One of them being, Fresh Kills. It is not only my belief that smaller films from different voices deserve a chance but I hear from people every day craving the same things: stories that reflect ourselves, our neighbors, and our families. A film shouldn’t be judged on whether or not it has A-List talent and producers. It should be judged on the story, performances, and how they touch us. These smaller films are not even given a chance to get to you- the audience- so that YOU can decide what you want to see.  That to me, is just not okay.

So what can we do?

We can push Fresh Kills as far as we can to be recognized. Not for the glory, awards, and a trophy but as a representation of saying that smaller films MATTER!

To do this it’s going to take a marketing plan towards an awards campaign. Many of you don’t even realize that just submitting a film to awards contests such as The Independent Spirit Awards and The Gotham Awards costs a good amount of money. Then to get to a nomination- even more in marketing so the voters know your film even exists. The Oscars are beyond expensive. This is costing studios millions to get their films known.

Again, why even bother if it’s not about getting awards?

This will help the film's lifespan tremendously!!!! For a smaller film, it could change everything. It’s also a level of justice to recognize great work with a fraction of what these larger films had at their disposal. 

I owe it to the years I’ve struggled to get this film out of my head, to the few people who believed in me to make it at all, my crew, my incredibly talented cast, and all of YOU who’ve supported this film. I simply cannot turn back now.

The film festival beloved and now critically acclaimed, Fresh Kills, currently sits at 92% on Rotten Tomatoes from the critics and 94% from the people. It's one of the best-reviewed films of the year so far. Yet without your help, it will go unnoticed by the industry and fail to go broader so that ALL can see.

I’ve done a LOT with the little I had up until this point and I know whatever I can accumulate I will do my best with it to push this film as far as I can.

Will you help me in saying that smaller films MATTER? 

I deeply appreciate the support for my film, for me, and for the future of what we see on our screens! 

With love,

Jennifer


Help us prove that small independent films matter!

All purchases made will help the FRESH KILLS Awards Campaign

Esposito has torn her heart out and showed it to us…This is something special, and a uniquely perfect portrait of a wounded and broken family.

—Brian Cartwright Daily Grindhouse

Fresh Kills shows the liberation and terror freedom brings with it. These women have been trapped in these roles, mother, wife, homemaker, and hostess, and indeed have sacrificed the dreams of their own girlhood to fulfill them

— Jeremiah The Fandomentals

Jennifer Esposito’s debut feature isn’t a mere “not bad"—it’s a stone-cold “this is great.” This is a major directing talent who, if the world were a righteous place, would have offers from every studio to create intelligent and finely observed movies for adults from now until the end of time.”

Jordan Hoffman The Daily Beast

Emily Bader, Jennifer Esposito and Odessa A’zion named in Deadline as one of the top 15 Favorite Movie Performances of 2023.

Deadline

“A compelling and much-needed reimaging of the typical mob film’s gender politics, Fresh Kills reveals Esposito as a confident, assured filmmaker.”

Alliance of Women Film Journalists

"Jennifer Esposito scores a victory in every way imaginable with her directorial debut, an epic that is not only one of the best films at Cinequest this year but one of the best movies of 2023.…It's an electrifying debut that reinvents and reinvigorates mobster tropes.”

The Mercury News

Jennifer Esposito, astounding in her feature directorial debut, pulls the curtains back to reveal the turmoil of a mother and her two vastly different daughters in a mob family. Fresh Kills offers a gripping and intensely dramatic change of perspective.

— Julian Roman MovieWeb

“Fresh Kills stands tall alongside the best post-Godfather gangster movies…Fresh Kills would make a fascinating double-feature with Martin Scorsese's breakthrough feature Mean Streets…"

RogerEbert.com

“…a gritty yet heartfelt look at mob life as seen through female eyes…To sum up, Esposito is not merely a “female Scorsese” or a “Modern Normand.”… Esposito is indeed her own artist with her own naturalistic style.”

Screen Comment

“This has that Mean Streets vibe and yet there is a level that even Mean Streets couldn't touch that Fresh Kills does…In my humble opinion the acting on display here really begins with an award recognizing type performance from Odessa A'zion. Connie is the catalyst for all that Rose experiences and in a lot of ways how she feels as this lifetime of shit unfolds. Emily Bader who plays Rose has this incredible ability in which I love how controlled she is in moments of stillness where you can literally touch the screen and brace yourself for what comes next…”

Go Indie Now

Fresh Kills- “reminded me less of a pure Mob Movie and more of the emotional terrorism of the Safdie Brothers’s Uncut Gems and Good Times” 

Sonny Bunch The Bulwark

It’s an electrifying debut that reinvents and reinvigorates mobster tropes.

Randy Myers San Jose Mercury News

“This is powerful filmmaking on every level” “Esposito wrote, produced, directed, and stars, knocking it out of the cinematic park!”

Edge Media

“Jennifer Esposito creates something authentic and captivating. Fresh Kills is a uniquely compelling piece of work in the pantheon of gangster movies, grounded by powerful performances and a stellar directorial debut.”

Film Inquiry

“It is rare for an actor turned director to make a first film that makes history. Jennifer Esposito’s directorial and screenwriting debut, Fresh Kills, is the first serious “mob movie” to be scripted and directed by an American woman, in which females absolutely dominate, both on- and off-screen. Mention of the word “godmother”—by the lovely Annabella Sciorra—packs the same feminist punch that “patriarchy” does in Barbie.”

The Purist